{"id":5173,"date":"2017-06-11T00:00:00","date_gmt":"2017-06-11T00:00:00","guid":{"rendered":"https:\/\/magazine.pellealvegetale.it\/toulouse-lautrec-la-belle-epoque\/"},"modified":"2019-11-13T11:38:45","modified_gmt":"2019-11-13T11:38:45","slug":"toulouse-lautrec-la-belle-epoque","status":"publish","type":"post","link":"https:\/\/magazine.pellealvegetale.it\/en\/toulouse-lautrec-la-belle-epoque\/","title":{"rendered":"Toulouse-Lautrec et la Belle \u00c9poque: between anticonformism and provocation"},"content":{"rendered":"<p><strong>Henri de Toulouse-Lautrec<\/strong> was surely the caroler of the <a href=\"https:\/\/www.mdc.edu\/wolfson\/academic\/artsletters\/art_philosophy\/humanities\/belleepoque.htm\">French Belle <\/a><a href=\"https:\/\/www.mdc.edu\/wolfson\/academic\/artsletters\/art_philosophy\/humanities\/belleepoque.htm\">\u00c9<\/a><a href=\"https:\/\/www.mdc.edu\/wolfson\/academic\/artsletters\/art_philosophy\/humanities\/belleepoque.htm\">poque<\/a><span lang=\"en\">, the artist who has been able to illustrate&nbsp;Paris of the late nineteenth and early twentieth centuries with realism and without lies. A delightful historical period of which the artist has outlined, throughout his work, the society with its&nbsp;excesses, exaltation and prosperity. The exhibition &#8220;Toulouse-Lautrec. La Belle \u00c9poque&#8221; was inaugurated at the AMO Arena Opera Museum &#8211; Palazzo Forti in Verona on April 1st and will remain open until September 3rd, &nbsp;2017.<\/span><\/p>\n<h2>Toulouse-Lautrec and La&nbsp;Belle&nbsp;\u00c9poque:&nbsp;the exhibition<\/h2>\n<p>The exhibition <em>Toulouse-Lautrec. La Belle&nbsp;\u00c9poque <\/em>is an immersion in his&nbsp;eccentric, unconventional and provocative art but also in the colors and images of what Paris was at the end of the nineteenth century. An exhibition that includes about 170 works realized by the bohemian aristocrat, considered by many as the forerunner of modern advertising graphics. But the exhibition is not just that: in addition to the works, there is the will of the curators to investigate Toulouse-Lautrec&#8217;s inner turmoil between his torments and his moments of optimism about life, and&nbsp;also his&nbsp;commitment to emerge as a &#8220;free&#8221; artist despite his aristocratic origins. What comes out is an extremely interesting figure that is told and explained with elegance through these works.<\/p>\n<p>The exhibition path, as we said, adheres to the frivolous spirit of La Belle&nbsp;\u00c9poque and describes it through some images that become the emblems of that historical period: dancers of Moulin Rouge with clients propped up the bar, circus performers and much more. A representation, a snapshot that brings&nbsp;up the spirit and the prosperity of a short period, from 1890 to 1914, that&nbsp;was a forge of inventions and discoveries. Among the most important works some advertising&nbsp;posters such as &#8220;<em>Passenger of Cabin 54<\/em>&#8221; of 1895 and &#8220;<em>Aristide Bruant in his cabaret<\/em>&#8221; of 1893, promotional graphics and illustrations such as &#8220;<em>La Revue Blanche<\/em>&#8221; of 1895 and finally lithographs in color, such as &#8220;<em>Jane Avril<\/em>&#8221; of 1893.<\/p>\n<p>&#8220;<em><strong>I paint things as&nbsp;they are. I do not comment. I register.<\/strong><\/em>&#8221; It&#8217;s a Toulouse-Lautrec&#8217;s quote that expresses the entire sense of this exhibition. This is an exhibit that rightfully includes him, &nbsp; as well as the great masters, in history.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Henri de Toulouse-Lautrec was surely the caroler of the French Belle \u00c9poque, the artist who has been able to&hellip;<\/p>\n","protected":false},"author":1,"featured_media":5900,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[447],"tags":[413,235,127,312,138,163],"class_list":["post-5173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-reviews","tag-consorzio-vera-pelle","tag-exhibitions","tag-recensioni","tag-reviews","tag-sapere","tag-toulouse-lautrec"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Toulouse-Lautrec et la Belle \u00c9poque: between anticonformism and provocation - Magazine Pelle al vegetale<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/magazine.pellealvegetale.it\/toulouse-lautrec-la-belle-epoque\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Toulouse-Lautrec et la Belle \u00c9poque: between anticonformism and provocation - 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